2022 IAML Congress, Prague, Czech Republic

The 2022 IAML Congress took place in Prague from 24 - 29 July.

Contact: info@iaml2022.cz

Congress website: http://www.iaml2022.cz/

Hashtag on social media: #iaml2022

Programme

Final programme
Programme at a glance
Programme with abstracts (as of 20 July 2022)
Programme on Sched | PDF

General Assembly

Preliminary agenda (as of July 25 2022)

Hot Topics

The Hot Topics session took place on Friday 29 July at 14.00-15.00. Suggested topics are here (must be logged in to view).

Other congress materials

Concert in National Museum, 25 July 2022 (Cancioneta Praga)
Concert in Mirror Chapel, 26 July 2022 (Epoque Quartet)
Concert on 28 July 2022 (Music in baroque Prague)
Ticket from Farewell Ceremony
Public transport ticket
Concert programme, Wednesday tour to Vyskoká

Send presentation slides as links or files (PDF preferred; 15 MB limit) to share on this page below to webeditor@iaml.info.

Congress diaries

General Assembly minutes

IAML Treasurer's Report 2021

Reports for the General Assembly

Materials presented in the sessions

Bibliography Section

Digital projects on Italian sources: Arrigo Boito’s papers now online, including new documents on Giuseppe Verdi (revised slides + text)

Federica Riva (Conservatorio di musica „Antonio Scontrino“ (Trapani), Rome) and Olga Jesurum (Rome)

Broadcasting and Orchestra Libraries Section

Czech Radio: music publisher and its orchestral hire library

Robert Škarda (Czech Radio, Prague)
Czech Radio: music publisher and its orchestral hire library

Robert Škarda (Czech Radio, Prague)
Preserve and present: building the National Taiwan Symphony Orchestra Archives

Tzu-Chia Tseng (Digital Archive Center for Music, National Taiwan Normal University, Taipei)

Cataloguing and Metadata Section

Le dépôt légal du son dématérialisé à la Bibliothèque nationale de France

Pierre Pichon (Bibliothèque nationale de France, Paris)
Podiumkunst.net: connecting music and other performing arts collections with the RDA ontology

Eric van Balkum (Stichting Omroep Muziek, Hilversum)
Wikidata and linked open data for music vocabularies

Christopher Holden (Library of Congress, Washington D.C.)
“Nice little tune!” — Preparing for a thematic catalogue of British string quartets in the early twentieth century: A Source Study

Steven Jeon (University of Birmingham)

Digital Libraries for Musicology

The Alignment of Open Access with FAIR Principles in Musicological Publishing and Teaching

Anne Shelley and Rachel Scott
DLfM2022: 9th International Conference on Digital Libraries for Musicology - 2022 Proceedings
Full-text searching of music online: an update on progress in F-TEMPO

Tim Crawford (Goldsmiths University of London, London, NR) and Alastair Porter (Universitat Pompeu Fabra, Barcelona)
Segmentation, transcription, analysis and visualisation of the Norwegian Folk Collection of Folk Music

Olivier Lartillot (University of Oslo) and Hans-Hinrich Thedens (National Library of Norway, Oslo, NR)
Summary Features as the Basis for Content-Based Queries of Symbolic Music Repositories

Cory McKay and Julie E. Cumming

Forum of Sections

Antonín Dvořák‘s songs: editorial challenges

Veronika Vejvodová (National Museum, Czech Museum of Music, Antonín Dvořák Museum, Prague)
The Basilean music collection of Lucas Sarasin (1730-1802): an early example of ‘bourgeois’ manuscript collecting revisited in a new digital format

Roland Pfeiffer (University Library Basel)
A bird in Iowa, a bird in Bohemia: Dvořák and birdsong

Anita Breckbill (University of Nebraska, Lincoln)
Bohuslav Martinů’s and Viktor Kalabis’ online archives

Aleš Březina (The Viktor Kalabis and Zuzana Růžičková Endowment Fund, Prague) and Martin Ledvinka (Bohuslav Martinů Institute, Prague)
Creating new cultural content from old archival materials (paper)

Sharon Kanach (Centre Iannis Xenakis / GRHis / Université de Rouen Normandie, Rouen) and Cyrille Delhaye (Centre Iannis Xenakis, Rouen)
Creating new cultural content from old archival materials (slides)

Sharon Kanach (Centre Iannis Xenakis / GRHis / Université de Rouen Normandie, Rouen) and Cyrille Delhaye (Centre Iannis Xenakis, Rouen)
Die Sammlung des Städtischen Deutschen Theaters Riga - die Forschungsergebnisse und Herausforderungen

Eridana Žiba (National Library of Latvia, Rīga)
Digitizing rare music manuscripts at Stanford: a progress report (notes)

Raymond Heigemeir (Stanford University)
Digitizing rare music manuscripts at Stanford: a progress report (slides)

Raymond Heigemeir (Stanford University)
Erik Chisholm and the Active Society for the Propagation of Contemporary Music: an archival research scoping study

Brian Inglis (Middlesex University, London)
Friends with benefits: visualising musicians’ networks

Lizzy Buckle (Royal Holloway, University of London and Foundling Museum, London)
From private to public: the personal library of composer Arvo Pärt at the Arvo Pärt Centre

Toomas Schvak (Arvo Pärt Centre, Laulasmaa)
Internationales Musikinstitut Darmstadt in exchanges with South America from 1950 to 1990: Introduction to IMD Archiv and other sources

Joevan de Mattos Caitano (Hochschule für Technik und Wirtschaft Dresden)
I’m beginning to see the leitmotif: Max Steiner’s earliest surviving film score manuscript

Jeff Lyon (Brigham Young University, Provo) and Brent Yorgason (Brigham Young University, Provo, NR)
The NFDI4Culture consortium as a hub between research and libraries

Desiree Mayer (Sächsische Landesbibliothek-Staats- und Universitätsbibliothek Dresden)
Project Group on RISM Series C: deliverables. An instruction manual for institutional authority records in MUSCAT

Aris Bazmadelis (Aristotle University of Thessaloniki, Thessaloniki), Maria Aslanidi (Ionian University, Corfu), and Arsinoi Ioannidou (Greek RISM Office)
Project Group on RISM Series C: deliverables. An instruction manual for institutional authority records in MUSCAT

Aris Bazmadelis (Aristotle University of Thessaloniki, Thessaloniki), Maria Aslanidi (Ionian University, Corfu), and Arsinoi Ioannidou (Greek RISM Office)
Solving puzzles: the project MARCMUS - Music paper and handwriting studies and the collaboration between music libraries and academia

Isabel Gonçalves (National Library of Portugal, Lisbon), Sílvia Sequeira (National Library of Portugal, Lisbon) and António Jorge Marques (CESEM / Universidade Nova de Lisboa)
Speeding-up the encoding of mensural collections from Spanish libraries

David Rizo (Universidad de Alicante), Teresa Delgado (Asociación Española de Documentación Musical), Jorge Calvo and Antonio Madueño (Universidad de Alicante), Patricia García-Iasci (Universidad de Salamanca)
To make a real theatre: Preparation of a monograph on the Bohuslav Martinů Musical Theater until 1937, including a critical edition of the librettos

Natálie Krátká (Bohuslav Martinů Institute, Prague) and Aleš Březina (Bohuslav Martinu Institute, Prague)
Vítězslav Novák in the collection of the Music Department of the National Library of the Czech Republic

Ludmila Šmídová (National Library of the Czech Republic, Prague)
WoO 195: The story and life behind a Beethoven piece: a virtual exhibit on the story of Théodore Frédéric Molt, only Canadian who met Ludwig van Beethoven in Vienna 1825

Marc Stoeckle (University of Calgary, NR) and Sylvia Polachuck (University of Calgary)

Hot Topics

Shrinking the Music Library

Anita Breckbill (University of Nebraska, Lincoln)

Libraries in Music Teaching Institutions

Lost in translation: canons of western music and the role of music libraries in their dissemination, a case study from the University of Tennessee’s Galston-Busoni Archives

M. Nathalie Hristov (University of Tennessee, Knoxville)
Surveying composers part II: Interviews with composers regarding music discovery and their relationship to library collections

Sandi-Jo Malmon (Harvard University, Cambridge, MA) and Elizabeth Berndt-Morris (Harvard University, Cambridge, MA)
Where are the ‘other’ scores? Addressing the lack of diversity in South African sheet music collections of the University of Cape Town

Wilhelm Delport (University of Cape Town)

Organizing Committee

Opening session: “The Big Four” thirty years after the Velvet Revolution: research institutes, publishing projects, and the works of Smetana, Dvořák, Janáček, and Martinů (Bärenreiter slides)

Eva Velická (Bärenreiter, Prague)
Opening session: “The Big Four” thirty years after the Velvet Revolution: research institutes, publishing projects, and the works of Smetana, Dvořák, Janáček, and Martinů (Dvořák slides)

Veronika Vejvodová (National Museum - Antonín Dvořák Museum, Prague)
Opening session: “The Big Four” thirty years after the Velvet Revolution: research institutes, publishing projects, and the works of Smetana, Dvořák, Janáček, and Martinů (Martinů slides)

Aleš Březina (Bohuslav Martinů Institute, Prague)
Opening session: “The Big Four” thirty years after the Velvet Revolution: research institutes, publishing projects, and the works of Smetana, Dvořák, Janáček, and Martinů (Smetana slides)

Sandra Bergmannová (National Museum - Bedřich Smetana Museum, Prague)

Poster session

The INA archive films (Institut National de l'audiovisuel): How Ella Fitzgerald, Dizzy Gillespie and countless Black musicians sought greater freedom in 1950s France

Rowan Standish Hayes (Qwest TV) and Natalie Gomez (Qwest TV EDU)
MEI conversion for the Joseph Haydn Werkverzeichnis Online

Joshua Neumann (Akademie der Wissenschaften und der Literatur Mainz)
Two Bohemian composers of the 19th century (re-)discovered: Wenzel Heinrich Veit and Franz Marschner (handout)

Beate Schiebl (Herder Institute for Historical Research on East Central Europe, Marburg)
Two Bohemian composers of the 19th century (re-)discovered: Wenzel Heinrich Veit and Franz Marschner (poster)

Beate Schiebl (Herder Institute for Historical Research on East Central Europe, Marburg)

Public Libraries Section

The partnership between the library and culture: the unique collaboration between Library of the City of Ostrava and cultural institutions of Ostrava

Alena Bittmarová (Library of the City of Ostrava)

Research Libraries Section

The Archive for Pop Music Cultures at the Freiburg Center for Popular Culture and Music: conception, practice, and challenges

Christofer Jost (Zentrum für Populäre Kultur und Musik, Freiburg)
Archiving a living composer: three main periods of building Arvo Pärt‘s archive

Anneli Kivisiv (Arvo Pärt Centre, Laulasmaa) and Toomas Schvak (Arvo Pärt Centre, Laulasmaa)
Presentation of the Research Libraries Section - Challenges and difficulties for research libraries – getting in touch with you

Ruprecht Langer, Eva Neumayr, Ewa Hauptman-Fischer (Research Libraries Section)

RILM

Highlighting performing arts and cultural heritage in Ukraine

Stephanie Bonjack (University of Colorado Boulder)

RISM

Cataloguing printed editions for RISM – an overview

Jennifer Ward (RISM Editorial Center)
An overview of the activities of the Czech working group and its publication series of thematic catalogues

Zuzana Petrášková and Eliška Šedivá (National Library of the Czech Republic, Prague)
The RISM Catalog: latest developments and future perspectives

Jürgen Diet and Bernhard Lutz (Bayerische Staatsbibliothek, Munich)

Service and Training Section

Academic writing support – a new field of activity for music librarians?!

Barbara Fuchslehner (University of Music and Performing Arts Vienna, Vienna) and Anna Eberhöfer (University of Music and Performing Arts Vienna)
New model of work: McGill’s hybrid shared office experiment (recording; for IAML members only)

Joseph Hafner, Megan Chellew, Maryvon Côté and Andrew Senior (McGill University, Montréal)
New model of work: McGill’s hybrid shared office experiment (slides)

Joseph Hafner, Megan Chellew, Maryvon Côté and Andrew Senior (McGill University, Montréal)
Reprographics, reluctance and risk: library copying of scores for users

Claire Kidwell (Trinity Laban Conservatoire of Music and Dance, London)

You are here

2022 IAML Congress, Prague, Czech Republic

Congress diaries

General Assembly minutes

Reports for the General Assembly

National reports

Archives and Music Documentation Centres Section

Broadcasting and Orchestra Libraries Section

Cataloguing and Metadata Section

Development Committee

Libraries in Music Teaching Institutions

Research Libraries Section

RISM Series C

Service and Training Section

Materials presented in the sessions

Bibliography Section

Broadcasting and Orchestra Libraries Section

Cataloguing and Metadata Section

Digital Libraries for Musicology

Forum of Sections

Hot Topics

Libraries in Music Teaching Institutions

Organizing Committee

Poster session

Public Libraries Section

Research Libraries Section

RILM

RISM

Service and Training Section

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