Fontes contents 2022 (vol. 69)

Vol. 69/1, January-March 2022

(Publication status: shipping, available online)

Articles

  • A First Inventory of Plainchant Books up to 1900 in Santiago, Chile David Andrés Fernández
  • British Symphonic Criticism: A Tale of Two Symposia Ryan Ross
  • COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time Christian Onyeji and Elizabeth Onyeji

Briefs / Feuilletons

Reviews

  • Georges Auric: A Life in Music and Politics. By Colin Roust  Keith E. Clifton
  • Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia. Edited by Marcoemilio Camera and Patrizia Florio  Paola Teresa Rossetti
  • Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film. By Hugh Macdonald  Clair Rowden

Information for Contributors

 

Vol. 69/2, April-June 2022

Articles

  • Viable Texts or Reliable Texts? The Earliest Editions of Pleyel’s String Quintets  Allan Badley
  • ‘To Better Perform my Duties as a Dame Patronesse’: Pauline Viardot-García’s Philanthropic Work  Virginia Sánchez Rodríguez
  • Ethnic Piano Rolls in the United States: Between Folk, Foreign, and National Music  Darius Kučinskas
  • A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library’s Music Department (Pécs, Hungary)  Csilla Kovácsné Sorossy

Briefs / Feuilletons

Corresponding Editors

Britain

  • Nourmahal’s Song: An Unknown Coleridge-Taylor Work  Jonathan Frank

Reviews

  • L’œuvre de Frédéric Chopin. Manuscrits ─ Partitions annotées ─ Bibliographies.  By Bertrand Jaeger  Christophe Grabowski
  • Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism. By Charlotte Segond-Genovesi  Nigel Simeone

Information for Contributors

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