Vol. 69/1, January-March 2022
(Publication status: published, available online)
Articles
- A First Inventory of Plainchant Books up to 1900 in Santiago, Chile David Andrés Fernández
- British Symphonic Criticism: A Tale of Two Symposia Ryan Ross
- COVID-19 and Field Recordings for the Library of Folk Music of Nigeria Project: Disruptions and Challenges of Access in Pandemic Time Christian Onyeji and Elizabeth Onyeji
Briefs / Feuilletons
Reviews
- Georges Auric: A Life in Music and Politics. By Colin Roust Keith E. Clifton
- Biblioteca di musica. Studi in onore di Agostina Zecca Laterza in occasione dei 25 anni dalla fondazione della IAML Italia. Edited by Marcoemilio Camera and Patrizia Florio Paola Teresa Rossetti
- Saint-Saëns and the Stage: Operas, Plays, Pageants, a Ballet and a Film. By Hugh Macdonald Clair Rowden
Information for Contributors
Vol. 69/2, April-June 2022
(Publication status: in production)
Articles
- Viable Texts or Reliable Texts? The Earliest Editions of Pleyel’s String Quintets Allan Badley
- ‘To Better Perform my Duties as a Dame Patronesse’: Pauline Viardot-García’s Philanthropic Work Virginia Sánchez Rodríguez
- Ethnic Piano Rolls in the United States: Between Folk, Foreign, and National Music Darius Kučinskas
- A Public Music Library in the Heart of Europe: Forty Years of Csorba Győző Library’s Music Department (Pécs, Hungary) Csilla Kovácsné Sorossy
Briefs / Feuilletons
Corresponding Editors
Britain
- Nourmahal’s Song: An Unknown Coleridge-Taylor Work Jonathan Frank
Reviews
- L’œuvre de Frédéric Chopin. Manuscrits ─ Partitions annotées ─ Bibliographies. By Bertrand Jaeger Christophe Grabowski
- Musique et musiciens à Paris pendant la Grande Guerre: Les Chemins du patriotism. By Charlotte Segond-Genovesi Nigel Simeone
