Fontes contents 2020 (vol. 67)

Vol. 67/1, January-March 2020

(publication status: paper version delayed due to Coronavirus crisis, available online)

Articles

  • Miss Austen Plays Pleyel: An Additional Source for the Jane Austen Family Music Collection?  Marian Wilson Kimber
  • Der Nachlass des Musikwissenschaftlers Robert-Aloys Mooser (1876–1969) in den Bibliotheken Genf und Basel. Dokumente zur Kulturvermittlung zwischen der Schweiz und (Sowjet-) Russland  Sonja Erhardt
  • ‘In the Mirror of Criticism’: The Film-Music Debate on REICHSFILMBLATT from 1924 to 1929 (with a Source Catalogue)  Francesco Finocchiaro

Briefs / Feuilletons

Reviews

  • Bach and the Counterpoint of Religion. Edited by Robin A. Leaver  Alon Schab
  • Debussy’s Legacy and the Construction of Reputation. By Marianne Wheeldon  Keith E. Clifton
  • Le Modèle et l’Invention: Messiaen et la Technique de l’Emprunt. By Yves Balmer, Thomas Lacôte, Christopher Brent Murray  Marie-Gabrielle Soret

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Vol. 67/2, April-June 2020

(publication status: paper version delayed due to Coronavirus crisis, available online)

Articles

  • Surveying Composers: Methods of Distribution, Discoverability, and Accessibility of Their Works and the Corresponding Impact on Library Collections  Elizabeth Berndt-Morris and Sandi-Jo Malmon
  • An Analysis of Music E-Journal Usage at McGill University  Joseph Hafner and Andrew Senior
  • Unraveling the RISM Riddle at the University of Illinois: An Inventory and Analysis  Kirstin Dougan Johnson
  • Home-Made from A to Z: New Documents for the Early History of Händel Opera in America  Rachel Scott

Briefs / Feuilletons

Reviews

  • An Index to Music in Historical Anthologies of Western Art Music. By Mara Parker  Barry Zaslow
  • Bird of Time: The Music of Swan Hennessy. By Axel Klein  Orla Shannon
  • Musical Salon Culture in the Long Nineteenth Century. Edited by Anja Bunzel and Natasha Loges  John Carnelley
  • Pietro Antonio Locatelli A Modern Artist  in the Baroque Era. By Fulvio Morabito  George Kennaway
  • Outreach for Music Librarians. Edited by Scott Stone  Kate Lambaria
  • Peggy Glanville-Hicks: Composer and Critic. By Suzanne Robinson  Renée McBride

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Vol. 67/3, July-September 2020

(Publication status: in pre-production)

Articles

  • Michael Mosoeu Moerane in the Museum  Christine Lucia
  • Les Idées Progressistes des Lumières sur la Scène Russe à Travers L’Opéra-Comique Français dans le Dernier Tiers du 18e Siècle: Choix du Sujet et Singularite du Répertoire  Myriam Kim
  • Non-Standard Track Configuration in Historical Audio Recordings: Technical and Philological Consequences for Preservation  Federica Bressan and Richard L. Hess

Briefs / Feuilletons

Reviews

  • Music and the Benefit Performance in Eighteenth-Century Britain. Edited by Matthew Gardner and Alison DeSimone  Lizzy Buckle
  • Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and Practice. By Jane D. Hatter  Katie Bank
  • German Operetta on Broadway and in the West End, 1900-1940. By Derek B. Scott  Andrea Cawelti
  • The Life and Music of Teresa Carreño (1853–1917): A Guide to Research. By Anna Kijas  Brian Mann
  • Bloomsbury Encyclopedia of Popular Music of the World, Volume XII: Genres: Sub-Saharan Africa. Edited by David Horn, John Shepherd, Gabrielle Kielich, and Heidi Feldman  Krystal Klingenberg
  • The Repertory of Processional Antiphons. By Clyde W. Brockett  Emerson Morgan
  • Dreaming with Open Eyes: Opera, Aesthetics, and Perception in Arcadian Rome. By Ayana O. Smith  Brian Robins
  • Prokofiev’s Soviet Operas. By Nathan Seinen  Cameron Pyke
  • Andreina e Giuseppina Paganini: Allieve e Concertiste. Edited by Pinuccia Carrer  Maria Grazia Aurora Campisi
  • Catalogo tematico delle musiche di Niccolò Paganini. Aggiornamento. Edited by Maria Rosa Moretti and Anna Sorrento  Paola Teresa Rossetti

Information for Contributors

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