Fontes contents 2014 (vol. 61)

Vol. 61/1, January – March 2014

  • The Collection of Musical Manuscripts in I. J. Paderewski's Personal Library Justyna Szombara
  • Verdi Studies In RILM-Italia Pinuccia Carrer
  • Music Libraries In China WU Xu
  • How Foreign Is Foreign? On the Origins of Leopold Hofmann's Smaller Liturgical Works Allan Badley
  • German Influences in the Development of the Norwegian Classical Music Tradition Berit Holth
  • Music Manuscripts in the Polish Library in Paris Renata Suchowiejko
  • Turning Music Catalogues into Archives of Musical Scores – or Vice Versa: Music Archives and Catalogues
  • Based on MEI XML Axel Teich Geertinger

Corresponding Editors’ News

  • Norway: The Norwegian Music Heritage Project: The National Library of Norway Jorid Nordal Baumann

Reviews

  • Basic Music Reference: A Guide for Non-specialist Librarians, Library Assistants, and Student Employees. By Alan Green and Michael J. Duffy, IV. Adam Taylor
  • The Politics of Opera in Handel's Britain. By Thomas McGeary. Katie Hawks
  • Histories of Heinrich Schütz. By Bettina Varwig. David Rayl
  • String Quartets: A Research and Information Guide. By Mara E Parker. Allan Badley
  • Wail: The Life of Bud Powell. By Peter Pullman. Dave Gelly
  • The Perilous Life of Symphony Orchestras: Artistic Triumphs and Economic Challenges. By Robert J. Flanagan. John Schuster-Craig
  • Contemplating Shostakovich: Life, Music and Film. Edited by Alexander Ivashkin and Andrew Kirkman. Cameron Pyke
  • Unheard Of: Memoirs of a Canadian Composer. By John Beckwith. J. Drew Stephen
  • Gustav Jacobsthal - ein Musikologe im deutschen Kaiserreich: Musik inmitten von Natur, Geschichte und Sprache - eine ideen - und kulturgeschichtliche Biographie mit Dokumenten und Briefen. By Peter Sühring. Tina Frühauf
  • The Musical Legacy of Wartime France. By Leslie A. Sprout. Keith E. Clifton
  • Mapping Canada's Music: Selected Writings of Helmut Kallmann. Edited by John Beckwith and Robin Elliott.
  • Centre and Periphery, Roots and Exile: Interpreting the Music of Istva´n Anhalt, György Kurta´g, and Sa´ndor Veress. Edited by Friedemann Sallis, Robin Elliott, and Kenneth Delong. Brian C. Thompson
  • Historical Harpsichord Technique: Developing La douceur du toucher. By Yonit Lea Kosovske. Arthur Lawrence

Vol. 61/2, April – June 2014

  • Digital Opera and Ballet: A Case Study of International Collaboration David A. Day
  • Paul Wittgenstein's Voice and Richard Strauss's Music: Discovering the Musical Dialogue between Composer and Performer Georg Predota
  • Le fonds Adolphe Jullien conservé à la Bibliothèque historique de la ville de Paris Yannick Simon
  • Musicologists and Librarians Working Together: The Lendület Archive and Research Group, Budapest Ferenc János Szabó
  • Throwing Some Light on the History of Verdi and Wagner Reception in Tyrol Hildegard Herrmann-Schneider
  • The Santiago Codex of Valladolid: Origins, Contents and Dating Nuria Torres

Corresponding Editors’ News

  • Australia: Éditions de l'Oiseau-Lyre Archive in the Louise Hanson-Dyer Music Library Evelyn Portek
  • Canada: Barbara Dobbs-McKenzie to be the Keynote Speaker at CAML Lisa Philpott
  • France: Avis de mise en ligne : « 10 ans avec la contrebasse » Corinne Brun
  • South Africa: Directory of South African Music Collections Santie de Jongh
  • South Africa: Digitised South African Music Collections at Stellenbosch University Available via SUNDigital Collections Santie de Jongh
  • South Africa: History of Music in South Africa Santie de Jongh

Reviews

  • The Creative Process in Music: From Mozart to Kurtág. By William Kinderman. John Schuster-Craig
  • Mozart at the Gateway to his Fortune: Serving the Emperor, 1788–1791. By Christoph Wolff. Allan Badley
  • Music and Ceremony at the Court of Charles V: the Capilla Flamenca and the Art of Political Promotion. By Mary Tiffany Ferer. James Vincent Maiello
  • Galina Ivanovna Ustvol'skaja: Komponieren als Obsession. Von Andreas Holzer und Tatjana Markovic. Eva Rieger
  • A Heinrich Schütz Reader. Edited and translated by Gregory S. Johnston. David Rayl
  • The Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, ca. 1840–1920: From Oriental Inspiration to 'Exotic' Orchestration. By Jonathan David Little. Elizabeth Markham
  • Literary Sources of Nineteenth-Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period. By Jonathan David Little. Elizabeth Markham
  • Music and Academia in Victorian Britain. By Rosemary Golding. Veronica Jamset
  • The Journals and Letters of Susan Burney. By Philip Olleson. Allan Badley
  • Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era. By Karen McAulay. William Donaldson
  • For Future Generations: Hugh Tracey and the International Library of African Music. Edited by Diane Thram. Lizabé Lambrechts
  • Forma Divina: Saggi sull'opera lirica ed sul balletto. By Fedele d'Amico; curated by Badolato and Lorenzo Bianconi. Barbara Diana
  • Le fonti musicali in Piemonte. Vol. 3. Asti e Provincia. A cura di P. Cavallo. Stefano Baldi
  • From Stage to Screen: Musical Films in Europe and United States (1927-1961). Edited by Massimiliano Sala. Rebecca Warner
  • Musikstudium in der Diktatur : das Landeskonservatorium der Musik, die Staatliche Hochschule für Musik Leipzig in der Zeit des Nationalsozialismus 1933 1945. Von Maren Goltz. Peter Sühring
  • Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Edited by Pauline Fairclough. Cameron Pyke
  • Music Production: Recording: A Guide for Producers, Engineers and Musicians. By Carlos Lellis Ferreira. Kirsten Cowie

Vol. 61/3, July - September 2014

Special Topic: When Music Goes Digital
Guest Editors: Jantien Dubbeldam and Katie LAI
 

  • When Music Goes Digital Jantien Dubbeldam and Katie Lai
  • Opera-L and Wikipedia Robert Kosovsky
  • Challenges to Music Documentation: Design and Implementation of a Web-based Content Management System for East Asian Music Education Documents Hyun Kyung Chae, Eun-Ha Kim, Min-Soo Lee, Otgonjargal Myagmar
  • The Potential of a Music-Inspired Algorithm for Music Document Grouping Zong Woo Geem, Jeong-Yoon Choi
  • A Librarian's Guide to IMSLP Edward W. Guo
  • Digitization and Presentation of Music Documents in the Bavarian State Library Jürgen Diet
  • The Dawn of Digital Sheet Music with neoScores Anneleen Van Boxstael
  • MuziekDingen: Learning about Social Media and Music Rob Coers and Jeroen de Boer
  • Click and It Will Be Opened to You: How Google Has Changed Musicological Research Hiroshi Yasuda

Reviews

Vol. 61/4, October – December 2014

Management Reports

  • Council Report Pia Shekhter
  • Treasurer's Report Thomas Kalk

Ad-hoc Committees

Professional Branches

  • Archives and Music Documentation Centres Marie-Gabrielle Soret
  • Broadcasting and Orchestra Libraries Sabina Benelli / Nienke de Boer
  • Libraries in Music Teaching Institutions Johan Eeckeloo / Claire Kidwell
  • Public Libraries Carolyn Dow / Hanneke Kuiper
  • Research Libraries Kerstin Carpvik

Subject Commissions

  • Bibliography Jaakko Tuohiniemi
  • Audio-Visual Materials Hanneke Kuiper
  • Service and Training Geoff Thomason
  • Cataloguing Joseph Hafner
  • Sub-Commission on UNIMARC Joseph Hafner
  • Sub-Commission on ISBD and Music Isabel Gauchet Doris / Massimo Gentili-Tedeschi

Working Groups

  • Access to Music Archives Inger Enquist / Jon Bagüés
  • Access to Music Ephemera Paul Banks
  • Advocacy Pam Thompson

Committees

  • Conference Antony Gordon
  • Constitution Richard Chesser
  • Copyright Helen Faulkner
  • Membership Jim Cassaro
  • Outreach Jon Bagüés
  • Programme Stanislaw Hrabia
  • Publications : Print Joseph Hafner
  • Publications : Electronic Antony Gordon

R-Projects and Other Collaborative Projects

  • Repertoire International des Sources Musicales (RISM) Klaus Keil
  • Répertoire International de Littérature Musicale (RILM) Barbara Dobbs Mackenzie
  • Répertoire International d'Iconographie Musicale (RIdIM) Antonio Baldassare
  • Répertoire international de la presse musicale (RIPM) H. Robert Cohen
  • IAML-L Bonna Boetticher
  • International Standard Music Number (ISMN) Carolin Unger

National Reports

Honorary Membership Citation
John Roberts, Martie Severt

Corresponding Editors’ News

  • Norway: Reorganizations in the National Music Collection Inger Johanne Christiansen
  • United States: Diversity Scholarship Funded Michael Colby

Reviews

  • Noter, annoter, éditer la musique : mélanges offerts à Catherine Massip. Réunis par Cécile Reynaud & Herbert Schneider. John Wagstaff
  • A Critical History of New Music in China. By Liu Ching-chih; translated by Caroline Mason. YANG Yuanzheng
  • Los libros de polifonía de la Catedral de México: Estudio y catálogo critico. By Javier Marín López. Owen Rees
  • Readying Cavalli's Operas for the Stage: Manuscript, Edition, Production. Edited by Ellen Rosand. Brian Cockburn
  • Style and Performance for Bowed String Instruments in French Baroque Music. By Mary Cyr. Andrew Justice
  • Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples. By Anthony R. DelDonna. Allan Badley
  • The Björling Sound: A Recorded Legacy. By Stephen Hastings. Barry Zaslow
  • Der Hof: Ort kulturellen Handelns von Frauen in der Frühen Neuzeit. Edited by Susanne Rode-Breymann and Antje Tumat. Helen Coffey
  • Toscanini in Britain. By Christopher Dyment. Bryan Proksch
  • From Boulanger to Stockhausen: Interviews and A Memoir. By Bálint András Varga. John Schuster-Craig
  • Composing for the Red Screen: Prokofiev and Soviet Film. By Kevin Bartig. Terry Dean

Recent Publications in Music compiled by Maureen Buja and David Summerfield

Index compiled by Stanley Boorman

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