
Under Itō’s direction, the Japanese committee flourished. One of the first in Asia and one of the very few national committees that has been contributing bibliographic records and abstracts to the RILM database continuously since the 1960s, Japan was ahead of the curve on how Japanese music is categorized. For example, RILM’s current classification system owes Itō a debt of gratitude, as it was the Japanese committee that championed a better way to accommodate Japanese music.
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