Fontes contents 2023 (vol. 70)

Vol. 70/1, January-March 2023

Articles

• Surveying Composers Part II: Perspectives on Composer and Library Engagement for the Future  Sandi-Jo Malmon and Elizabeth Berndt-Morris
• Sacred Chameleons: Form, Function, and Dissemination Patterns in the Motets of Leopold Hofmann  Allan Badley
• The Grand Piano of Ignacy Jan Paderewski in Cartoons  Magdalena Dziadek, Michał Jaczyński and Justyna Kica

Briefs / Feuilletons

Corresponding Editors

Great Britain

• Out of the Shadows: The Remarkable Story of Warwick Braithwaite (1896–1971), New Zealand’s Finest Conductor  Roger Flury

Reviews

• Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera. By Sean M. Parr  Andrea Cawelti
• Interviews with American Composers: Barney Childs in Conversation. Edited by Virginia Anderson  Ken Smith
• In silenzio senza disturbare nessuno. Claudio Sartori, Brescia 1913–Milano 1994. By Mariella Sala, Massimo Gentili-Tedeschi, and Pinuccia Carrer  Paola Teresa Rossetti

Communications

Information for Contributors

Vol. 70/2, April-June 2023

Articles

• Jean-Joseph Mouret’s Divertissements: An Eighteenth-Century Example of Self-Publishing Strategy  Mary Cyr
• The Cataloguing Process of the ‘C Collection’ in the Music Archive of the Cathedrals of Saragossa  Carmen Álvarez-Escandell
• After the Collection, What Next? Challenges of Preservation of Folk Music Recordings in an Unstable Climatic Environment in Nigeria (Library of Folk Music of Nigeria Project in Focus)  Elizabeth Onyeji and Christian Onyeji

Briefs / Feuilletons

Corresponding Editors

• Canada: Assessing the Music Score Collection at the University of Toronto  Trevor Deck, Jan Guise, James Mason, Tim Neufeldt, and Rebecca Shaw

Reviews

• The Temple of Fame & Friendship: Portraits, Music, and History in the C.P.E. Bach Circle. By Annette Richards  Stephen Roe
• Bach and Mozart: Connections, Patterns, and Pathways. Edited by Paul Corneilson  Vivian Teresa Tompkins
• Studienbuch by Gottfried Galston. Facsimile of the Author’s Personal Copy with a New English Translation. Translated by Rosemarie S. Greenman; edited by Martha Rudolph.  Eleanor Hodgkinson
• The Music of Nobuo Uematsu in the Final Fantasy Series. Edited by Richard Anatone  Milly Gunn
• Renegade Rhymes: Rap Music, Knowledge, and Narrative in Taiwan. By Meredith Schweig  Tom Peterson

Information for Contributors

Vol. 70/3, July–September 2023

Articles

• When Mr Paradies Provided the Songs: The London Opera Arias of Fitzwilliam Museum, Mu.Ms.108  Michael Burden
• Orchestral Identities and the Formation of Musical Knowledge: A ‘Sociomaterial’ View on the Concert Programmes of the London Symphony Orchestra and the Vienna Philharmonic Orchestra  Denise Petzold
• The Impact of the COVID-19 Pandemic on Music Education in Ukraine  Andrii Bondarenko, Tetiana Humeniuk, Anastasiia Romanenko, Lidiia Makarenko, and Liubov Lysenko                                                        

Briefs / Feuilletons

Reviews

• Ralph Vaughan Williams and Adrian Boult. By Nigel Simeone  Graham Muncy
• Alan Bush, Modern Music, and the Cold War: The Cultural Left in Britain and the Communist Bloc.  By Joanna Bullivant  Cameron Pyke
• Aaron Copland in Latin America: Music and Cultural Politics. By Carol A. Hess  Howard Pollack

Information for Contributors