Fontes contents 2025 (vol. 72)

Vol. 72/1, January-March 2025

Articles

• Music Publishing in Kraków in 1850–1918  Michał Lewicki
• Performing Arts and Noblemen Education: New Perspectives From the Library and Archive of the Collegio San Carlo in Modena (18th–19th Centuries)  Riccardo Castagnetti
• ‘The Most Galant and Superb Celebrations’: Musical Performances at Chantilly for the Coronation of Louis XV  Mary Cyr
• Archduke Maximilian Franz and the Chamber Music of Leopold Hofmann  Allan Badley

Briefs / Feuilletons

Corresponding Editors: South Africa

• Curating a Colonial Archive: The Tamássy-Pauw Flute Scores Collection Esther Marie Pauw

Reviews

• Golden Ages: Hasidic Singers and Cantorial Revival in the Digital Era. By Jeremiah Lockwood  Alon Schab
• The Motet in the Late Middle Ages. By Margaret Bent  Kathleen Sewright

Information for Contributors

Vol. 72/2, April-June 2025

Articles

• From Leningrad to Bloomington: Fëdor Lavrov’s Soviet Punk Legacy and the Ongoing Relevance of Dissent  Laikin Dantchenko
• How Tracking RISM’s Footprint Across (South) Africa Led to the Discovery of San Rock Paintings, !Gõin !Gõin, and an Elephant in the Music Room  Wilhelm Delport
• Sources of Ignace Pleyel’s Symphonies in Spanish Cathedrals Around 1800  Héctor Eulogio Santos Conde

Briefs / Feuilletons
Information for Contributors