Source:Cambridge, New York, NY : Cambridge University Press,, United Kingdom, p.xvii, 266 pages : (2017)
Mots-clés:Irony in music.
Includes bibliographical references (pages 259-263) and index.Irony as a "master trope" -- Varieties of musical irony -- Mozart's Figaro -- Heine and irony in the Lied tradition -- The Jewish face of Mahlerian irony -- Postludium.Irony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of the trope as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occastional reflections on film music and other contemporary works, the principal focus of the book is classical music, instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical compositions, technique, and style. -- from back cover.