Music and science from Leonardo to Galileo

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Includes bibliographic references and index.Introduction / Rudolf Rasch -- "Latet discordantia quartae": an early natural-scientific explanation of upper-voice fourths by Franchinus Gaffurius / David E. Cohen -- Teoria musicale e patronage nobiliare a Venezia nel cinquecento / Paolo Alberto Rismondo -- Nascent mechanism in Philip Melanchthon's references to Josquin des Prez / Alexander Jakobidze-Gitman -- "Intra quaternarii limites musicam intelligunt omnem consonantiam": la musica riel pensiero di Giordano Bruno / Carlo Bosi -- Dissezioni anatomiche con musica a Padova nella prima età moderna / Gioia Filocamo -- Galileo and opera: music, science, religion, and politics in the seventeenth century / Daniel Martín Sáez -- "La grandezza del numero sonoro": canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome / Jason Stoessel, Denis Collins -- Giovanni Battista Doni on the tonal space of chromatic music: the case of Gesualdo's Tu m'uccidi, o crudele / Carlos C. Iafelice -- Me veux-tu voir mourir: Joan Albert Ban versus Antoine Boësset (1640-1641) / Rudolf Rasch -- La missa La luna piena (1657-1658) di Giuseppe Corsi e le teorie galileiane / Galliano Ciliberti -- René Descartes and Isaac Beeckman: the philosopher and the schoolmaster / Rudolf Rasch -- The trumpet as nature's voice: Marin Mersenne and the nature of music / Leendert van der Miesen -- Joachim Jungius and the question of music as an experimental 'mixed science' / Roberta Vidic -- Trajectories of musical acoustics in seventeenth-century French theory and experiment: sound, noise, and the authorities of the past / Théodora Psychoyou -- The acoustical paradox: how music was unmoored and set adrift from science in the seventeenth century / Adam Fix"Music is not only an art (either as the art of composition or the art of performance) but also a subject for scientific investigation. Scientists have always been interested in musical sound, philosophers in the impact of music on the human mind, and musicians may have been puzzled by the scientific foundations of their art. This book collects fourteen studies by authors from various countries about the interrelations between music and science as apparent in the long century from the lifetime of Leonardo da Vinci (1452-1519) to that of Galileo Galilei (1564-1642), a period termed Renaissance, Early Modern or the time of the (first) Scientific Revolution depending on the angle from which this period is approached. It is a time when the Aristotelian physics was replaced by modern pre-Newtonian physics, when Catholicism was challenged by the Reformation, when traditional polyphonic musical styles were supplemented by new monodic styles, vocal and instrumental. Both Leonardo and Galileo had vivid interests in music, but they were not the only ones. The ideas of scientists and philosophers, such as Marin Mersenne, René Descartes, Giordano Bruno and Philipp Melanchton are also discussed"--