The discourse of protest, resistance and social commentary in reggae music : a Bakhtinian analysis of Pacific reggae /

Publication Type:



Routledge,, Volume 33, Abingdon, Oxon, United Kingdom ; New York, NY, United States, p.1 online resource : (2022)

Call Number:




(OCoLC)fst01093058, Aspect politique, bisacsh, fast, Histoire et critique., History and criticism., LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing, MUSIC / Ethnomusicology, MUSIC / Genres & Styles / Reggae, New Zealand, New Zealand., Nouvelle-Zélande, Nouvelle-Zélande., Political aspects, Reggae, Reggae music, Reggae music.


Includes bibliographical references and index.Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs -- Message music and meaning -- Mikhail Bakhtin : dialogism, discourse, and ethics -- The social, political, and cultural context -- Politics, protest, and resistance in Herbs' What's Be Happen? -- Narratives of experience and identity -- Taking sides : Herbs' album cover -- Coda."A comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover, and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning record EP What's Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs' songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people's lands. The book demonstrates the striking compatibility between Bakhtin's theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region"--Elizabeth Turner is an independent researcher and academic affiliated to Auckland University of Technology, New Zealand.Description based on online resource; title from digital title page (viewed on November 03, 2021).