Source:University of Rochester Press,, Volume v. 177, Rochester, NY, United States, p.1 online resource (2021)
Mots-clés:(OCoLC)fst01030269, (OCoLC)fst01030702, (OCoLC)fst01030706, (OCoLC)fst01046145, fast, France, France., History and criticism., History., Music, Music., Musical canon, Musical canon., Musical criticism, Musical criticism., Opera, Opera.
Description based on online resource; title from digital title page (viewed on July 30, 2021).Includes bibliographical references (pages 271-300) and index.The domestic versus the foreign in eighteenth-century Paris and London -- Elements of canon formation at the Concert spirituel / Beverly Wilcox -- To praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : how did a canon arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- The evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914.