Piano-playing revisited : what modern players can learn from period instruments /

Publication Type:



University of Rochester Press,, Rochester, NY, United States, p.1 online resource (xx, 206 pages) : (2021)

Call Number:





(OCoLC)fst01063351, (OCoLC)fst01063355, (OCoLC)fst01063366, fast, History., Instruction and study., Pianists., Piano, Piano.


Includes bibliographical references (pages 193-197) and indexes.Online resource; title from digital title page (EBSCO, viewed May 19, 2021)."Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in'Historical Performance.'David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing. He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time."--EBSCO.