Fontes contents 2019 (vol. 66)

Vol. 66/1, January-March 2019

(publication status: published/delivered)

Articles

  • Johann Walter Werke Verzeichnis [JWWV] Robin A. Leaver
  • The Music Manuscripts in the Church of San Francisco de Quito: An Undocumented Collection Jesus Estevez
  • Father Hilario Olazarán of Estella (1894–1973): Cataloguing His Musical Works José Francisco Sánchez Salsamendi

Briefs / Feuilletons

Reviews

  • Ernest Newman – A Critical Biography. By Paul Watt Lewis Foreman
  • Music & Camp.Edited by Christopher Moore and Philip Purvis Keith E. Clifton
  • Delius and Norway. By Andrew J. Boyle Eivind Buene
  • Nadia Boulanger and the Stravinskys: A Selected Correspondence. Edited by Kimberly A. Francis Kendra Preston Leonard

Treasurer’s Report Thomas Kalk

IAML General Assembly Minutes 2018 Pia Shekhter

Information for Contributors

Vol. 66/2, April-June 2019

(publication status: published/delivered)

Articles

  • Music Manuscript Collection of the Silesian School of Composing in the Karol Szymanowski Academy of Music Library in Katowice Poland Hanna Bias
  • L’Émigration Musicale Polonaise à Paris Pendant L’Entre-Deux-Guerres: Artistes – Événements – Contextes Renata Suchowiejko
  • Musical and Archival Collections as a Source of Knowledge about Eighteenth-Century Cistercian Musical Practice in Silesia Ewa Hauptman-Fischer
  • The Masses of Francesco Perneckher in the Collection of the Pauline Monastery at Jasna Góra (Częstochowa): Problems of Attribution and Source Studies Maciej Jochymczyk
  • The Provenance of Selected Sheet Music of Warsaw Publishers (1875–1918) in the Main Library of the Stanislaw Moniuszko Academy of Music (Gdańsk) Marta Walkusz
  • Form and Style of Balthasar Erben’s Solo and Small-Scale Sacred Concertos Justyna Szombara

Briefs/Feuilletons

Reviews

  • Bedrich Smetana: Myth, Music, and Propaganda. By Kelly St Pierre Elizabeth Legierski
  • Catalogue of Notated Office Manuscripts Preserved in Flanders (c. 1100–c. 1800). Vol. I: Averbode, Dendermonde, Diest, Geel, Ghent, Tongeren. Edited by Sarah Ann Long and Inga Behrendt Kathleen Sewright
  • Beethoven’s Conversation Books, Volume 1: Nos. 1 to 8 (February 1818 to March 1820). Edited and translated by Theodore Albrecht Barry Cooper
  • The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe. By Samantha Owens Colin Timms
  • By Cristina Bordas, Celsa Alonso, Juan José Carreras, and José Máximo Leza Francisco Javier Albo
  • Singing in the Age of Anxiety: Lieder Performances in New York and London between the World Wars. By Laura Tunbridge Natasha Loges
  • A Sousa Reader: Essays, Interviews, and Clippings. Edited by Bryan Proksch William Berz

Information for Contributors

Vol. 66/3, July-September 2019

(publication status: in production)

Articles

  • Edward MacDowell’s Letters to Templeton Strong in the Library of Congress Michael Saffle and Elizabeth McLain
  • Follow the Baton: The Story of the Wagner Siegfried Idyll Baton Anita Breckbill and Hannah Jo Smith
  • A Collection of Italian Libretti: A New Source for the Study of the Central European Reception of Italian Opera during the Mid-Eighteenth Century Nieves Pascual León
  • Performing a Polychoral Mass with Voices, Organ, and Minstrels during the Middle Decades of the Seventeenth Century in the Cathedral of Valladolid, Spain Pablo Ballesteros

Briefs/Feuilletons

Reviews

  • Charles Dibdin and Late Georgian Culture. Edited by Oskar Cox Jensen, David Kennerley, and Ian Newman Andrew Pink
  • Hildegard of Bingen. By Honey Meconi James Vincent Maiello
  • Aldo Parisot, the Cellist: The Importance of the Circle. By Susam Hawkshaw Joseph Hafner
  • Sergei Prokofiev's 'Alexander Nevsky." By Kevin Bartig Cameron Pyke
  • Singing Games in Early Modern Italy: The Music Books of Orazio Vecchi. By Paul Schleuse Massimo Privitera
  • Delius and the Sound of Place. By Daniel M. Grimely Helen Faulker

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