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Bullock, Philip Ross, und Pauline Fairclough. 1917 And Beyond : Continuity, Rupture And Memory In Russian Music /. United Kingdom : Cambridge : Modern Humanities Research Association for the UCL School of Slavonic and Eastern European Studies, 2019.

Kopecky, Judith, und Manfred Permoser. 1928 - Wien Und Das Zeitgenössische Österreichische Konzertlied . Bd. 18. Wien, Austria: Hollitzer, 2023.

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Mugmon, Matthew. Aaron Copland And The American Legacy Of Gustav Mahler . United States: Rochester, NY :, 2019.

Hallman, Diana R, und César Andrés Leal. America In The French Imaginary, 1789 -1914 : Music, Revolution And Race /. Bd. 10. Woodbridge, Suffolk, England, United Kingdom ;Rochester, NY, United States: Boydell Press, 2022.

Bazayev, Inessa, und Christopher Segall. Analytical Approaches To 20Th-Century Russian Music : Tonality, Modernism, Serialism /. United States: New York, NY : Routledge, 2021. https://www.taylorfrancis.com/books/9781003000808.

Bazayev, Inessa, und Christopher Segall. Analytical Approaches To 20Th-Century Russian Music : Tonality, Modernism, Serialism /. 1st. Aufl. United Kingdom : London : Routledge, 2020.

Parsons, Laurel, und Brenda Ravenscroft. Analytical Essays On Music By Women Composers : Concert Music, 1900-1960 /. Bd. volume 2. New York, United States: Oxford University Press, 2022.

Rae, Caroline. André Jolivet : Music, Art And Literature /. United Kingdom: Abingdon, Oxon ; New York, NY : Routledge : imprint of the Taylor & Francis Group, 2019.

Leonard, Kendra Preston, und Michael J Budds. The Art Songs Of Louise Talma . Bd. no. 9. United States: New York, NY : Routledge, 2017.

Potter, Keith, Kyle Gann, und . The Ashgate Research Companion To Minimalist And Postminimalist Music , 2013.

Morgan, Tom. Aspects Of Complexity In Recent British Music . United Kingdom : London : Routledge, 2019.

Emerson, Gina. Audience Experience And Contemporary Classical Music : Negotiating The Experimental And The Accessible In A High Art Subculture /. Abingdon, Oxon, United Kingdom ; New York, United States: Routledge, 2023. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3518187.

Hooper, Michael. Australian Music And Modernism, 1960-1975 . United Kingdom : London :Bloomsbury Academic, 2019.

McNeil, Rhoderick. The Australian Symphony From Federation To 1960. United Kingdom: Farnham, Surrey, UK, England ; Burlington, VT, USA : Ashgate Publishing Limited, 2014.

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Bekker, Paul, Anna Langenbruch, Beate Angelika Kraus, und Christine Siegert. Beethovens Vermächtnis : Mit Beethoven Im Exil : Bericht Über Das Internationale Symposium, Bonn, 1. Bis 3. März 2018 : Mit Einer Edition Der Gleichnamigen Studie Von Paul Bekker /. Bd. Band 32. Bonn, Germany: Beethoven-Haus, 2022.

Symons, David. Before And After Corroboree : The Music Of John Antill /. United Kingdom : London : Routledge, 2020.

Dratwicki, Alexandre. Bons Baisers De Rome : Les Compositeurs À La Villa Médicis (1804-1914) /. Arles, France: Actes sud, 2021.

Treece, Dave. Brazilian Jive : From Samba To Bossa And Rap /. London: Reaktion, 2013.

Whittall, Arnold. British Music After Britten . Bd. 14. United Kingdom : Martlesham : The Boydell Press, 2020.

Seddon, Laura. British Women Composers And Instrumental Chamber Music In The Early Twentieth Century , 2013.

Donovan, Ryan. Broadway Bodies : A Critical History Of Conformity /. New York, NY, United States: Oxford University Press, 2023.

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Celenza, Anna Harwell. The Cambridge Companion To Gershwin . United Kingdom : Cambridge : Cambridge University Press, 2019.

Iddon, Martin. The Cambridge Companion To Serialism . Cambridge, United Kingdom ;: Cambridge University Press, 2023.

Hamer, Laura. The Cambridge Companion To Women In Music Since 1900 . New York, United States ; Cambridge, United Kingdom: Cambridge University Press, 2021. https://resolver.ebscohost.com/Redirect/PRL?EPPackageLocationID=1586.28284312.77290048&epcustomerid=s2947694.

Hamer, Laura. The Cambridge Companion To Women In Music Since 1900 . Cambridge, United Kingdom ;: Cambridge University Press, 2021.

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