Recent Publications in Music

Found 2677 results
Author [ Title(Desc)] Type Year
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C
M. Cook, Cook's tours : tales of a tour manager /. York: Music Mentor, 2011, p. 318 p. :.
M. McAvoy, Cork rock : from Rory Gallagher to the Sultans of Ping, Second edition. Ireland: Cork : South Bank Press, 2017, p. 298 pages.
P. H. Conners, Cornell '77 : the music, the myth, and the magnificence of the Grateful Dead's concert at Barton Hall /. United States: Ithaca : Cornell University Press, 2017, p. 223 pages, 32 unnumbered pages of plates :.
R. Angulo-Díaz, Coronis. Una zarzuela en tiempos de guerra. Spain: Madrid: Asociación Ars Hispana, 2018, p. 425 p.
J. Kubieniec and Czagány, Z., Corpus Antiphonalium Officii Ecclesiarum Centralis Europae VIII/A Kraków : (Temporale) . Budapest: MTA Zenetudományi Intézet , 2018, p. 400.
G. Fauré and Albéniz, L., Correspondencia de Gabriel Fauré a Isaac y Laura Albéniz. Spain: Madrid : Nauclero Ediciones, 2016, p. 72 pages .
M. Vela-González, Correspondencias entre música y palabra: Un estudio sinestésico sobre "Harmonie du soir", Baudelaire / Debussy, y "Le Gibet", Bertrand / Ravel. Spain: Vigo: Academia del Hispanismo, 2019, p. 148.
COS news. , p. v. :, 2013.
E. C. Banister, Counting down southern rock : the 100 best songs /. United States: Lanham, Maryland : Rowman & Littlefield, 2016, p. xvi, 199 pages ; 24 cm.
D. Duncan and Burns, K., Country music : an illustrated history /, First edition. United States: New York :, 2019, p. 1 online resource.
Country music magazine. , 2013.
B. András Varga, The courage of composers and the tyranny of taste : reflections on new music /, vol. v. 141. United States: Rochester : University of Rochester Press, 2017, p. viii, 263 pages :.
M. Hampe and Walton, C., The crafty art of opera : for those who make it, love it or hate it /. United States: Woodbridge : Boydell Press, 2016, p. ix, 186 pages :.
A. Presas-Villalba, Creación y vida de Saverio Mercadante en España. Don Chisciotte alle nozze di Gamaccio (Cádiz, 1830)., vol. 4. Spain: Madrid: Universidad Autónoma de Madrid, 2018, p. 339 p.
L. Cramer, Creating musical theatre : conversations with Broadway directors and choreographers /. 2013, p. ix, 283 pages :.
A. Pejrolo, Creative sequencing techniques for music production : a practical guide to Pro Tools, Logic, Digital Performer, and Cubase /, 2nd ed.nd ed. Oxford: Focal Press, 2011, p. xiv, 317 p. :.
M. Pandolfi and McFalls, L., Création, dissonance, violence : la musique et le politique /. Canada: Montréal (Québec) :, 2018, p. 346 pages :.
M. C. Moore, Critical essays in music education . Farnham: Ashgate, 2012, p. xl, 512 p. :.
A. Foon, Crossover musicians in the twenty first century, [Parkville, Victoria] : University of Melbourne, Australia , 2016.
C. Shaar. Murray, Crosstown traffic : Jimi Hendrix and post-war pop /, Updated ed. Edinburgh: Canongate, 2012, p. ix, 326 p. ;.
A. Salazar, Cuba y las músicas negras. Spain: Madrid: FCE. Fondo de Cultura Económica, 2017, p. 273 p.
K. Gemmell, Cubase 6 : tips and tricks /. Merton: PC, 2011, p. 200 p. :.
N. Kiwan and Meinhof, U. Hanna., Cultural globalization and music : African artists in transnational networks /. Houndmills, Basingstoke, Hampshire ;: Palgrave Macmillan, 2011, p. x, 273 p. :.
I. D. Biddle and Gibson, K., Cultural histories of noise, sound and listening in Europe, 1300-1918 . United Kingdom: London : Routledge, 2017, p. 1 online resource.
K. Gibson, Cultural histories of noise, sound and listening in Europe, 1300-1918 . United Kingdom: Farnham, Surrey :, 2017, p. xii, 279 pages :.

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