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I

Salawu, Abiodun, and Israel A Fadipe. Indigenous African Popular Music. . Cham, Switzerland: Palgrave Macmillan, 2022. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=3309042.

H

Titus, Barbara. Hearing Maskanda : Musical Epistemologies In South Africa /. New York, NY, United States: Bloomsbury Academic, Bloomsbury Publishing Inc, 2022.

G

Crawford, Eric Sean. Gullah Spirituals : The Sound Of Freedom And Protest In The South Carolina Sea Islands /. Columbia, United States: University of South Carolina Press, 2021. https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781643361918.

F

H. Alim, Samy, Jeff Chang, and Casey Philip Wong. Freedom Moves : Hip Hop Knowledges, Pedagogies, And Futures /. Vol. 3. Oakland, California, United States: University of California Press, 2023.

Dlamini, Sazi. “First International Bow Music Conference Proceedings Held At The University Of Kwazulu-Natal, February 2016”. International Bow Music Conference. International Bow Music Conference. Grahamstown, South Africa: International Library of African Music, 2017.

E

Nettl, Bruno, and Timothy Rommen. Excursions In World Music . Seventh edition. United States: New York : Routledge, 2017.

Santos, Andeline Dos. Empathy Pathways : A View From Music Therapy /. Cham, Switzerland: Palgrave Macmillan, 2022. https://public.ebookcentral.proquest.com/choice/PublicFullRecord.aspx?p=7081885.

D

Turner, Elizabeth. The Discourse Of Protest, Resistance And Social Commentary In Reggae Music : A Bakhtinian Analysis Of Pacific Reggae /. Vol. 33. Abingdon, Oxon, United Kingdom ; New York, NY, United States: Routledge, 2022. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2939976.

Díaz, Nelson Varas, Jeremy Wallach, Esther Clinton, and Daniel Nevárez Araújo. Defiant Sounds : Heavy Metal Music In The Global South /. Lanham, United States: Lexington Books, 2023. https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9781793651860.

Nielsen, Charlotte Svendler, and Stephanie Burridge. Dancing Across Borders : Perspectives On Dance, Young People And Change /. United Kingdom ; United States : Abingdon, Oxon ; New York, NY : Routledge, 2020.

C

Nyakudya, Munyaradzi., Bridget. Chinouriri, Pauline. Mateveke, and Ezra. Chitando. The Cultural And Artistic Legacy Of Oliver Mtukudzi : Using Language For Social Justice /. Cham, Switzerland: Palgrave, 2022. https://www.vlebooks.com/vleweb/product/openreader?id=none&isbn=9783030972004.

Gaulier, Armelle, and Denis Martin. Cape Town Harmonies : Memory, Humour And Resilience. Cape Town, South Africa: African Minds, 2017.

Hartenberger, Russell, and Ryan C McClelland. The Cambridge Companion To Rhythm . Cambridge, United Kingdom ;New York, NY, United States: Cambridge University Press, 2020.

B

Ndabeni, Esinako, and Sihle Mthembu. Born To Kwaito : Reflections On The Kwaito Generation. Auckland Park, South Africa: BlackBird Books, 2018.

King, Chris Thomas. The Blues : The Authentic Narrative Of My Music And Culture /. First edition. Chicago, Illinois, United States: Chicago Review Press, 2021.

De Vries, Fred. Blues For The White Man: Hearing Black Voices In South Africa And The Deep South. Cape Town, South Africa: Penguin, 2021.

de Vries, Fred. Blues For The White Man : Hearing Black Voices In South Africa And The Deep South /. Cape Town, South Africa: Penguin Books, 2021.

Horn, David, John Shepherd, Gabrielle Kielich, and Heidi Carolyn Feldman. Bloomsbury Encyclopedia Of Popular Music Of The World. . Vol. volume 12. United Kingdom: London : Bloomsbury Academic, 2019. https://doi.org/10.5040/9781501342059?locatt=label:secondary_bloomsburyPopularMusic.

Zondi, Nompumelelo Bernadette. Bahlabelelelani: Why Do They Sing: Gender And Power In Contemporary Women's Songs. Pietermaritzburg, South Africa: University of KwaZulu Natal Press, 2020.

A

Retief, Hanlie. Anton Goosen : Liedjieboer : Die Lewe Van Anton Goosen. South Africa: Cape Town : Tafelberg, 2020.

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