Recent Publications in Music

E. Lyon, Designing audio objects for MAX/MSP and PD , vol. v. 25. United States: Middleton, Wis. : A-R Editions, 2012, p. xxx, 340 pages :.

D. Lynskey, 33 revolutions per minute : a history of protest songs /. London: Faber, 2011, p. xviii, 843 p. ;.

P. Lynott, My boy: the full story of Philip Lynott & the family he never knew, Revised edition. Ireland: Dublin: Hot Press Books, 2011, p. 249 pages.

C. Lyddon, Dunedin dances. . [Edinburgh]: Dunedin Dancers, 2013, p. 28 p. :.

Luo, Linka = 罗林卡, Jian jin sheng zhang de fan shi = “渐进生长”的范式: 杜蒂耶第二交响曲解剖. Taiyuan: Shanxi ren min chu ban she, 2015, p. 213.

T. Lundman, Välkommen till världens största Sibelius Nielsen festival. Stockholm: Stockholms Konserthusstiftelse, 2015.

T. Lundman, Haglund, R., et Karlsson, L., Mats Larsson Gothe : tonsättarweekend 7-10 april 2016 : Kungliga Filharmonikerna : Stockholms Konserthus. Sweden: Stockholm : Stockholms konserthusstiftelse, 2016.

M. Lundberg et Luther, M., Martin Luthers egna toner och ord om musik : källtexter rörande musiken i Wittenbergreformationen i översättning med kommentar och analys /. Sweden: Skellefteå : Artos,, 2017, p. 144 sidor ;.

D. Lundberg, Singing through the bars : prison songs as identity markers and as cultural heritage. [Stockholm]: Svenskt visarkiv / Statens musikverk, 2018.

D. Lundberg, Kaaklaatar fängelsevisor som identitetsmarkör och kulturarv /, vol. 43. Sweden: [Hedemora] : Gidlunds Förlag,, 2017, p. 280 pages :.

M. Lundberg et Luther, M., Martin Luthers egna toner och ord om musik : källtexter rörande musiken i Wittenbergreformationen i översättning med kommentar och analys /. Sweden: Skellefteå : Artos,, 2017, p. 144 sidor ;.

G. Lukács et Asperján, G., Énekes álarc nélkül. Budapest: AttisZ Kiadó, 2016, p. 240 p.

Lu, Qian = 卢前, Qu yun ju yu = 曲韵举隅, Photocopy edition. Beijing: Zhongguo xi ju chu ban she, 2015, p. 252.

K. Lowerre, The lively arts of the London stage, 1675-1725 . 2014, p. xv, 306 pages :.

L. A. Lowe, Music therapy : perspectives, cultural aspects and clinical outcomes /. United States: Hauppauge, New York : Nova Science Publisher's, 2017, p. 1 online resource.

R. Lorenzo, Pilar Bayona: Su entorno pianístico y su estilo interpretativo. Spain: Zaragoza: Institución Fernando el Católico, 2018, p. 168 p.

D. Lorenzo, Luis de Pablo y el "poema en música". Spain: Madrid: Sociedad General de Autores y Editores, 2018, p. 391 p.

J. - M. López-Rodríguez, Del colapso tonal al arte sonoro: un recorrido por la música contemporánea. Spain: Madrid: Punto de Vista, 2018, p. 218 p.

M. López-Fernández, Música en Sevilla en el siglo XX, vol. 4. Spain: Sevilla: Libargo Editorial, 2018, p. 406 p.

R. López-Cano, Música dispersa. Apropiación, influencias, robos y remix en la era de la escucha digital. Spain: Barcelona: Musikeon Books, 2018, p. 221 p.

Long, Jianguo = 龙建国, Tang song yin yue guan li yu tang song ci fa zhan yan jiu = 唐宋音乐管理与唐宋词发展研究 , 2nd editionᵉ éd. Tianjin: Nan kai da xue chu ban she, 2015, p. 241.

P. Long, The history of the NME : high times and low lives at the world's most famous music magazine /. London: Portico, 2012, p. 240 p. :.

J. Locke, Heavy metalloid music : the story of Simply Saucer /. Canada: Toronto : Eternal Cavalier Press, 2016.

P. Lo, Conversations with the world's leading orchestra and opera librarians. United States: Lanham, Maryland : Rowman & Littlefield, 2016, p. xviii, 276 pages ;.

B. Llyr et Gibbard, A., Hunan-anghofiant Brychan Llyr . 2013, p. 159 pages, 16 unnumbered pages of plates :.