Recent Publications in Music

M. Kym, Gone : a girl, a violin, a life unstrung /, First edition. United States: New York : Crown, 2017, p. 227 pages ;.

V. Kvarnhall, Pojkars musik, reproduktionens tystnad : en explanatorisk studie av pojkars reproducerande förhållningssätt till populärmusik och populärmusicerande. Örebro: Örebro University, 2015.

A. - K. Kuuse, Lindgren, M., Skåraeus, E., et Saether, E., ”Liksom ett annat uppdrag” iscensättning av social rättvisa i musikundervisningens retorik och praktik. Umeå: Umeå universitet, 2018.

V. Kusz, Dohnányi amerikai évei. Budapest: Rózsavölgyi, 2015, p. 360.

J. G. Kurtzman, Approaches to Monteverdi : aesthetic, psychological, analytical and historical studies /, vol. CS1031. 2013, p. 1 volume (various pagings) :.

U. Kurihara, Monogataranai animēshon : nōman makuraren no fushigi na sekai /. Japan: [Place of publication not identified] : Shunpūsha,, 2016, p. 157 pages ;.

« Piano kunitachi ongaku daigaku gakkigaku shiryokan shozo mokuroku = Pianos in Gakkigaku Shiryōkan (Collection for organology), Kunitachi College of Music. ». Tōkyō-to Tachikawa-shi : Kunitachi ongaku daigaku,, Japan, p. 1 videodisc :, 2016.

K. Nakamizo et Abe, T., Pianos in Gakkigaku Shiryôkan : Collection for Organology /. Japan: Tokyo : Kunitachi College of Music, 2016, p. 218 s. :.

L. Kund, 10 : Armel Opera Festival, 2008-2017 . Budapest: Armel Produkció & Sajtóiroda Nonprofit Kft., 2018, p. 249.

N. Kulkarni, Eastern spring : a 2nd gen memoir /. 2012, p. viii, 132 pages ;.

B. Kuijken et Koshikakezawa, M., Gakufu kara ongaku e : barokku ongaku no ensōhō /. Japan: Tōkyō : Dōwashoin,, 2018, p. 206 pages ;.

D. Kucinskas et Davismoon, S., Music and technologies . 2013, p. viii, 144 pages :.

J. Kubieniec et Czagány, Z., Corpus Antiphonalium Officii Ecclesiarum Centralis Europae VIII/A Kraków : (Temporale) . Budapest: MTA Zenetudományi Intézet , 2018, p. 400.

D. Krukowski, The new analog : listening and reconnecting in a digital world /. United States: New York : The New Press, 2017, p. 224 pages :.

E. Krpan, Međunarodni kulturni centar Grožnjan : pet desetljeća, 1969.-2019. Croatia: Zagreb : Jeunesses Musicales Hrvatska, 2019, p. 56.

E. Krpan, Zlatko Stahuljak. U povodu 85. rođendana. Zagreb: Hrvatsko društvo skladatelja, 2018, p. 50.

M. Krowicki, « Contemporary rock formations : rock elements in classical music », Montreal, Quebec, 2015.

G. Kroó, Bartók-kalauz , 4.ᵉ éd. Budapest: Editio Musica Budapest, 2016, p. 271 p.

R. Kronenburg, Live architecture : popular music venues, stages, and arenas /, 1st ed.ᵉʳ éd. London ;: Routledge, 2012, p. viii, 199 p. :.

R. Kronenburg, This must be the place : an architectural history of popular music performance venues /. United States: New York, NY :, 2019, p. xviii, 286 pages, 16 unnumbered pages of plates ;.

V. Kritzas, Bob Dylan: 100 tragoudia. oi istories pisō apo afta kai ē sēmasia tous = Bod Dylan : 100 τραγούδια : οι ιστορίες πίσω από αυτά και η σημασία τους. Greece: Athens: Patakēs, 2016, p. 262p.

L. A. Kristoferson et Wrangsjö, B., Det är farligt att inte sjunga : vad det betyder att sjunga i kör - musikaliskt, psykologiskt och socialt. Stockholm: Carlssons, 2019.

J. Kremer, Bournemouth a go! go! . 2012, p. 212 pages :.

K. Kreitner, Renaissance music . Farnham: Ashgate, 2011, p. xxiv, 444 p. :.

B. L. Krause, The great animal orchestra : finding the origins of music in the world's wild places /. London: Profile, 2013, p. 277 p. :.