IAML(UK & Irl) Bryant Prize–winners

E.T.Bryant Prize established 1994

• 2009 — Kan, Mei Yau. Double standards : the role and value of music and film in the public library. A dissertation submitted in partial fulfilment of the requirements of the degree of MA in Library and Information Studies, University College London.
• 2008 — Lee, Deborah. Classifying musical performance : the application of classification theories to concert programmes
• 2007 — Smyth, Maria. Music in Fingal Public Libraries : an investigation of Fingallians' needs
• 2006 — Inskip, Charlie. Are user needs being met by the Vaughan Williams Memorial Library website? and Summers, Michael. Pop music in British libraries
• 2005 — Roper, Amelie. The trade in music publications at the Frankfurt book fair in the late sixteenth century: a study of the book fair catalogues of Georg Willer
• 2004 — Friday, Kate. Digital technologies and special collections of music: current use for preservation and access in UK and Irish academic libraries
• 2003 — Dorney, Carl. Public Library Music Provision since the Library and Information Plan for Music
• 2002 — Ridgewell, Rupert. Concert programmes in the UK & Ireland : a preliminary report
• 2001 — O'Brien, Eileen. An examination of music services in Irish public libraries. Dissertation University College Dublin
• 2000 — Czepiel, Magorzata. The retrieval of music materials from electronic catalogues: a case study. Dissertation University of London.
• 1999 — Janota, Helen. An investigation into the use of music sound recordings in Public libraries. Dissertation University of Loughborough
• 1998 — Wilson, Catherine. A critical evaluation of the International Association of Music Libraries, Archives & Documentation Centres (UK Branch). Dissertation University College London.
• 1997 — Not awarded.
• 1996 — Bolton, Richard. An investigation into the purpose and benefit of music provision in the public library service, with attention to current issues. Dissertation University of Sheffield)
• 1995 — Adamson, Kathy. A guide to the retrospective conversion of library card catalogues, with particular reference to music; Case study:- the implementation of automation and retrospective conversion of the card catalogue at the Royal Academy of Music Library. Dissertation University of London.