Fontes contents 2017 (vol. 64)

Vol. 64/1, January–March 2017

Articles

  • ‘I begin writing, and then have second thoughts’: Shostakovich and the Sketches for the Eighth Symphony  Laura E. Kennedy
  • The Music Library of Francesco Viani (1809–1877): The Reconstruction of a Gift to the “Paganini” Conservatory of Genoa  Carmela Bongiovanni

Briefs / Feuilletons

Reviews

  • My Beloved Man: The Letters of Benjamin Britten and Peter Pears. Edited by Vicki P. Stroeher, Nicholas Clark and Jude Brimmer  Cameron Pyke
  • Camille Saint-Saëns: Écrits sur la Musique et les Musiciens 1870–1921. Edited by Marie-Gabrielle Soret  Michael Strasser
  • Erik Satie: A Parisian Composer and His World. By Caroline Potter  Keith Clifton
  • The Complete Annotated Gilbert & Sullivan. Introduced and edited by Ian Bradley  Thomas Hischak
  • Resounding Images: Medieval Intersections of Art, Music, and Sound. Edited by Susan Boynton and Diane J. Reilly  Leah Morrison

Corresponding Editors

  • Greece  Board of the Greek IAML Branch
  • Germany  Verena Funtenberger

IAML General Assembly Minutes 2016  Pia Shekhter

Honorary Members

  • H. Robert Cohen  Benjamin Knysak

Governing Documents

Notes for Contributors

Vol. 64/2, April–June 2017

Special Topic: Libraries, Archives, Museums, and Collections in the Baltic Countries

Articles

  • The First Estonian-Finnish Music Library Seminar, Helsinki, 26th–27th May 2016 Jaakko Tuohiniemi
  • Musikbibliotheken in Lettland Eridana Žiba
  • The Library of Jāzeps Vītols Latvian Academy of Music Evita Stankeviča
  • Archiving a Living Composer: Building Arvo Pärt’s Personal Archive Anneli Kivisiv and Kai Kutman
  • The Sibelius Museum Inger Jakobsson-Wärn
  • The Year of Music in Estonia and the Libraries Katre Riisalu
  • Special Collections of Printed Music in the Digital Archive of the National Library of Estonia Heidi Heinmaa

Briefs / Feuilletons

Reviews

  • Ercole Pasquini, Toccate, Canzoni, Ricercari.  Edited by Paul Kenyon Andrew Woolley
  • Perspectives on the Performance of French Piano Music. Edited by Scott McCarrey and Lesley A. Wright Arthur Lawrence
  • Il fondo musicale del Duomo di Pavia. By Mariateresa Dellaborra and Maria Cecilia Stefano Baldi
  • The String Quartet: From the Private to the Public Sphere. Edited by Christian Speck Andrew Justice          

Notes for Contributors

Vol. 64/3, July-September 2017

Articles

  • Entangled Modernities in the Culture of Korean Music Publishing: Challenges in Establishing a Contemporary Korean Art Music Archive Meebae Lee
  • Il Pianoforte (Torino, 1920–1927): A Window on Modern Music during the Fascist Regime: Searching RIPM to Identify an International Network of Collaborating Music Critics Nicoletta Betta
  • Early Music Prints and New Technology: Variants and Variant Editions Andrea Lindmayr Brandl
  • Texas: Where Americans, Mexicans, Germans, and Italians Meet: The Hauschild Music Collection at the Cushing Memorial Library and Archives Felicia Piscitelli
  • Massimo Mila, the Prismatic Intellectual: An Archival Case Study Carla Cuomo

Briefs / Feuilletons

Reviews

  • Performing Gender, Place, and Emotion in Music: Global Perspectives. Edited by Fiona Magowan and Louise Wrazen Stephanie Bonjack
  • Sinfonia Eroica: The First Great Romantic Symphony. By James Hamilton-Paterson Nick Newland
  • A-R Editions Online Music Anthology. Alan Asher
  • Opera. Complete Archive (Vol. 1 [February 1950]–). Hayley Fenn
  • Die Musik in Geschichte und Gegenwart – MGG-Online. Herausgegeben von Laurenz Lütteken Allan Badley
  • Messiah: The Composition and Afterlife of Handel’s Masterpiece. By Jonathan Keates Donald Burrows
  • Interlacing Traditions: Neo Gregorian Mass Propers in Beneventan Manuscripts. By Luisa Nardini James Vincent Maiello
  • Materialities: Books, Readers, and the Chanson in Sixteenth-Century Europe. By Kate van Orden Huub van der Linden

Notes for Contributors

Vol. 64/4, October-December 2017

Articles

  • Unearthing Catalan Musical Heritage: The IFMuC Project Aurèlia Pessarrodona and Josep Maria Gregori
  • Reframing the Framework: Situated Information Literacy in the Music Classroom Erin Conor
  • The Moravian Music Foundation Experience Using Bibliographic Records Downloaded from RISM David Blum
  • Claudio Sartori: Bibliography of a Bibliographer Pinuccia Carrer and Massimo Gentili-Tedeschi

Briefs / Feuilletons

Reviews

  • Reviving Haydn: New Appreciations in the Twentieth Century. By Bryan Proksch Melanie Lowe
  • Nation and Classical Music: From Handel to Copland. By Matthew Riley and Anthony D. Smith Bryan Proksch
  • French Music and Jazz in Conversation: From Debussy to Brubeck. By Deborah Mawer Keith Clifton
  • Handel on the Stage. By David Kimbell Katie Hawks

Notes for Contributors

Index to Advertisers

Annual Index

 

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